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<title>Sanat ve Tasarım Fakültesi</title>
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<dc:date>2026-04-15T00:31:13Z</dc:date>
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<title>Make Up As a Sign of Public Status</title>
<link>http://hdl.handle.net/20.500.12474/66</link>
<description>Make Up As a Sign of Public Status
Aytuğ, Sevtap Müzeyyen
From the birth of a human being, first advised of his family then lived in the society's traditions, religious and political beliefs need to makes changes in the body. Sometimes specific professional groups, the rules can be found in this guidance related to physical appearance. Hair and beard, it is given a specific form of failure or to extend the term of Office, made the body shape to the nails or painting, tattoos are almost as old as human history, based on the method of self-expression. giving shape to the eyebrows of different designs, use a wig, fake nails and physical changes such as wear tinted lenses for centuries have been observed with applications ranging from society to society. Body to show the weaker or different forms of enhanced techniques, "to be healthy" concept for society's good he found and next to the rating's feelings. Within the community, in fact, from time to time and from society to society changing "beautiful" seems ideal for people can be defined as "plastic surgery" permanent makeup to a high price to pay, and even vital to take risks they are willing to do up to radical changes. Cosmetics Industry to meet the demands of people look beautiful, a work of millions of people in the production and sales area with younger and more serves to realize the ideal of looking nice. Both economically and socially, so do many physical changes of great importance "makeup" applications typically only lipstick and pencil coloring process consisting of all kinds on the body is detected as the view covers the change and didn't like the makeup and even of persons who do not brush their teeth every day, their nails and hair done while the application is makeup. In particular, different religions, different forms given to hair and beard are representing the views of their own religious expression is practiced as a method.
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<dc:date>2015-01-01T00:00:00Z</dc:date>
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<title>Editorial</title>
<link>http://hdl.handle.net/20.500.12474/65</link>
<description>Editorial
Bayrak, Bengisu
This issue of CINEJ focuses on a varity of topics: Coming of age Irish Cinema, homosexuality and honor killing, spatial presentations in Pleasantville, pot-conflict Latin-American cinema, genre and style variety in Bresson films, changing consumption conventions during the Germany reunification, hybrid bodies and health concept in Hollywood films, Bhojpuri culture industry (Mumbai).
</description>
<dc:date>2015-01-01T00:00:00Z</dc:date>
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<item rdf:about="http://hdl.handle.net/20.500.12474/61">
<title>A gender perspective on social media tagging: The case of Twitter hashtags of Gezi Park protests</title>
<link>http://hdl.handle.net/20.500.12474/61</link>
<description>A gender perspective on social media tagging: The case of Twitter hashtags of Gezi Park protests
Balaban Salı, Jale; Erben, Şeyma Esin
Gezi Park Protests are undoubtedly one of those recent mass protests occupying an important place in the global agenda. The protests were initially to oppose the construction of the 19th century Ottoman Artillery Barrack within the area of Gezi Park without reconstruction permit. Upon police's severe intervention to the tens of people keeping cave in the park to save the trees to be cut, the number of those who interacted with each other in social media increased rapidly, turning Gezi Park into a place for contrarian forces to unite. During the protests, all kinds of support, help and cooperation calls are made through social media. The solidarity in Gezi Park became apparent in social media content, showing a general attitude against every kind of discrimination. In this study, we argue whether the sexist discourse used by the protesters related to Gezi Park Protests has been reconstituted by the Twitter hashtags. The Twitter hashtags such as #kirmizilikadin (lady in red), #gazdanadam (gasman), #direnayol (resist ayol), #duranadam (standing man) have been studied, in the context of gender, by the technique of discourse analysis, which is one of the qualitative research methods. People use social tagging with their own words in the way how they conceive the state. The study concludes that the Twitter hashtags on Gezi Park Protests emphasize the power and sovereignty of men while focusing on the appearance and body of women, who are commonly perceived to be an aesthetic object as indicated by the discourse analysis. Hence, this study provides a significant contribution to the field on how the actual attitude against sexual discrimination in Gezi Park Protests was reflected in social tagging.
</description>
<dc:date>2016-05-01T00:00:00Z</dc:date>
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<title>Editorial</title>
<link>http://hdl.handle.net/20.500.12474/57</link>
<description>Editorial
Bayrak, Bengisu
This issue of CINEJ focuses on a variety of topics: Animated documentary, political cinema, female sexuality, religion, mythology and culture, orientalism, globalization and action movies, Halit Refiğ and Turkish cinema.
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<dc:date>2017-09-01T00:00:00Z</dc:date>
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